Read More ››Īdditionally, the track’s signal may be routed to one or more other places using auxiliary sends. But despite these many advancements, it’s very easy to wind up with a disjointed or sterile product. With advancements in recording technology, and the dropping cost of entry, it has never been easier to bring your musical vision to life. 2).įour Ways to Keep Your Home Mixes Cohesive You can also stop the sound dead in its tracks using the mute button, or mute all of the other tracks and hear it alone using the solo button (Ex. 1).Įn route to the master fader, the signal passes through a pan control, which allows you to adjust the amount of signal being sent to the left and right channels of the stereo mix, determining where the sound is positioned within the 180-degree stereo image. That’s the most direct signal path from the recorded track to the monitors when using a master fader (Ex. The default output selection on a track’s mixer channel routes the audio to the master fader, via output 1-2, and from there it goes back into the audio interface, where it is converted to analog and sent to the powered speaker system. We’ll also assume that we are mixing in stereo and that there is a stereo master fader.and that the output from the interface has been routed to an audio track input in Pro Tools and successfully recorded to a track.that our source is a guitar plugged directly into an audio interface. recording using a standard DAW such as Pro Tools (all DAWs are more or less alike in terms of signal paths).to the studio monitors.įor this elementary tutorial, we’ll keep things simple by assuming that we are: When it comes to recording, a “signal path” is the course that an audio signal travels from its source - a microphone, electric guitar, electronic keyboard, etc.
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